About

“I am the Jesus Christ of politics.”

It’s time to set the record straight. Please welcome to the stage the former cruise ship crooner turned multi billionaire and Italian Prime Minister… the much maligned, misunderstood, humble man of the people Silvio Berlusconi!

A hilarious, naughty, noisy expose of the original perma-tanned media mogul and populist politician told through the eyes of the formidable women ready to share their side of the story and break the veneer of that million lira smile. As Silvio tries to enshrine his legacy by writing the opera of his life, his detractors are closing in…

From the Olivier Award-winning Producers of Fleabag and Baby Reindeer, BERLUSCONI is a modern-day cautionary tale, an urgent and prescient story about a brand of political leadership that has become all too familiar. With soaring melodies and driving beats, this outrageous new musical assembles an award-winning team to tell the astonishing, outlandish, almost true story of one of the world’s most charismatic, charming and morally bankrupt political leaders.

Director's Note

I am beyond excited to welcome you to the beautiful new Southwark Playhouse Elephant for the World Premiere of BERLUSCONI. Thank you for joining us.  

My journey on this show began four years ago when Ricky and Simon approached me a with a first draft and some demos of their musical about Silvio Berlusconi. The larger-than-life, much lampooned former owner of AC Milan seemed to me a slightly leftfield subject and protagonist for a new musical. But from the moment I met Ricky and Simon and heard them speak with such energy, passion, eloquence and insight about their vision for this show I knew they were on to something. And from my very first listen to the demos of their electrifying songs, I was hooked.

On the face of it, Silvio Berlusconi IS a leftfield topic for a musical. A disgraced former Italian prime minister and billionaire media and property mogul with a lengthy charge sheet. A political pariah shunned by other world leaders; derided as vulgar, a clown, a buffoon. But Ricky and Simon saw something in Silvio that they believed was worth talking about. A template for power that has been copied the world over by populist strongmen who have studied the Berlusconi playbook and applied his tactics to conquer and control their own populations. This is not a biopic. This is not a musical about Silvio per se. It’s a musical about power. How it is gained, how it corrupts, how it is abused. It is about the very individual, human stories of those whose lives are destroyed by men like Berlusconi. The stories we don’t hear on the news.

Perhaps most importantly it is a warning. A warning to look past the razzmatazz and fake tan and blonde mops of our charming political leaders to the substance of their policies and the evidence of their morality. We can shrug off the gaffes and illicit parties of our roguish heads of state, but we must remember they hold lives in their hands.

What is so brilliantly accomplished in Ricky and Simon’s writing is that the serious message of this musical is delivered with such incredible wit, charm and irreverence. They instinctively understand how to use the musical theatre form to give Silvio the spotlight he craves whilst mercilessly lampooning him and uplifting the voices of his victims with soaring melodies that pierce hearts and minds. Their sabre sharp lyrics and eclectic songwriting adds up to this prescient, utterly compelling, wildly entertaining new musical we have had the honour and privilege of staging for the first time.

Making a World Premiere is a very special thing. Especially in this case because it is so rare that a completely original, sung-through new British musical on this scale is produced commercially in an Off-West End theatre. It is only possible because we have been backed by a visionary producer in Francesca Moody who along with Thomas S Barnes and the shows investors has been willing to take a leap of faith to promote work she believes in.

I have been fortunate to work alongside a world class creative team and a company of actors and musicians whose generosity, passion and graft match their extraordinary talent. I thank them all.

Thank you for coming to see us. I hope you enjoy the show and much as we have loved making it.

James Grieve

Director

The Facts

  • Silvio Berlusconi (b. 1936) is an Italian mogul, media tycoon, and politician. He served three scandal-ridden terms as prime minister of Italy.

  • As a young man, he worked as a singer on cruise ships before entering the business world. He amassed a fortune as a real estate developer in his hometown, Milan, where he also founded Telemilano, a cable television network. The company became Italy’s largest media empire, Mediaset, and was the first to bring foreign programming to Italy on a large scale, introducing the country to The Smurfs, Dallas, Dynasty, and Baywatch. Other programs included pro-Berlusconi news channels and game shows featuring scantily-clad showgirls. In 1986, he purchased AC Milan for 40 million lire; in 2018, Forbes ranked him as the 190th richest man in the world, with a net worth of almost 7 billion pounds.

  • In 1994, he was elected prime minister of Italy. The role gave the first-time politician legal immunity — an important perk as his businesses accrued legal allegations. The government crumbled after seven months, but resumed control from 2001-6, crowning Berlusconi Italy’s longest-serving prime minister since the second world war. He served a third term from 2008-2011.

  • He was known for his “Bunga Bunga” parties, where young women danced and stripped in competition for his attention, with grand prizes including large sums of cash or promotion onto one of his television channels. His sex scandals were many. The collected embarrassment prompted public denouncements from and divorce with his second wife, Veronica Lario, in 2012. But Berlusconi’s abuses towards women extended beyond his private life: as prime minister, the few women he promoted to government positions were exceptionally beautiful and exceptionally unqualified. His tastes were also instrumental in creating a media climate in Italy that #MeToo whistleblower Asia Argento said made women into “bodies to be used.” Feminists rallied throughout his reign in reaction.

  • In 2012, when Ilda Boccassini was chief prosecutor Berlusconi was taken to trial for tax fraud and embezzlement in Rome. It was only one of dozens of criminal cases levied against the mogul throughout his career

Cast

The Judge

McCallam Connell

Luigi

John Conroy

Mama Rosa

Susan Fay

Fama

Jenny Fitzpatrick

Bella

Natalie Kassanga

Veronica

Emma Hatton

Silvio Berlusconi

Sebastien Torkia

Ilda

Sally Ann Triplett

Vladimir Putin

Gavin Wilkinson

Antonio

Matthew Woodyatt

Videos

‘Secrets and Lies’ performed by Emma Hatton

The cast play ‘Trump, Boris or Berlusconi?’

With Special Thanks To

The Production would like to thank Alford House, Atlas Couriers Ltd, Autograph Sound Ltd, Blue-i Theatre Technology, Della Vite, Lily Cornell, Kater Gordon, Limoncello Di Capri, Pirate Crew, Select Aparetivo, Southwark Playhouse Sparks Theatrical Lighting, Theo’s Pizzeria and Young Vic Theatre.

The Wishful Thinking friends, family and colleagues – past and present – who have been on the journey of Berlusconi: Jason Badrock, Molly Barren, Matthew Davies, Tara Finney, Ruth Hunduma, Joseph Hunt, Alistair Lindsey Renton, Celia Meirow, Jack Pollington, Natalie Pound, Cottia Thorowgood, Max Vaughan, Tim Whitnall, Peter Woodroffe and Pauline Zheng.

Final thanks to all the cast and creatives involved in the development phase of Berlusconi: Nathan Amzi, Florence Andrews, Hadrian Delacey, Jacob Fisher, Rosie Fletcher, Siubhan Harrison, Carly Mercedes Dyer, Oisin Nolan-Power, Stephen Rahman-Hughes, Jeremy Secomb and Parisa Shahmir.

McCallam Connell

McCallam is an actor, singer and writer and a platinum accredited songwriter. He recently co-wrote lyrics and melodies for the Arts Council England funded musical workshop production of The Coloured Valentino which was staged at The Arcola Theatre in January 2022.

Theatre credits include: A Christmas Carol (Middle temple Hall); The Color Purple Uk Tour 2022 (LeicesterCurve); To The Streets (Birmingham Hippodrome); Playboy Of The West Indies (Birmingham Rep); Small Island (National Theatre);  Mass Carib (National Tour); Oh Babylon (Arts Theatre Leicester Square), Moondance Night (Riverside Theatre); The Black Jacobins (Riverside Theatre); Dr No and Macbeth (Moving Parts Theatre); The Mikado and The Antigone (L’ouvertre Theatre)

Theatre Workshops: On The Ropes (Park Theatre);The Coloured Valentino (Arcola Theatre); Artaban The Musical (Actor’s Church Covent Garden); 

Recording & songwriting credits include: Tina Turner – Twenty Four Seven (Parlaphone Records); Buen Color – Son Asi (Warner Bros Spain); Solomon Album (Champion Record/Goodsingle Records) and The Tony Rich Project (Top Of The Pops).

John Conroy

Theatre Includes: Mr Shalford in Half a Sixpence (Noel Coward Theatre), Mr Schumacher in Dirty Dancing (Aldwych Theatre), Arvide in Guys and Dolls (Picadilly Theatre), Shelley Levine in Glengarry Glenn Ross (Picadilly Theatre), Sandor in Grand Hotel (Donmar Warehouse), Donald Hall in Take Flight (Menier Chocolate Factory), Frankie Holmes in Jolson (Victoria Palace Theatre), Mr Lyons in Blood Brothers (Albery Theatre) – the last two having transferred to the Royal Alexandra Theatre Toronto.

Four Years at the New Shakespeare Theatre Company (Regent’s Park) playing Peter Quince in A Midsummer Night’s Dream, Verges in Much Ado About Nothing, the MC in Oh What A Lovely War, the Exiled Duke in As You Like It, Sir Nathaniel in Love’s Labour’s Lost, and Brasset in Where’s Charley?

Baptista in Kiss Me Kate (Crucible Theatre Sheffield), Colonel Pickering in My Fair Lady (Teatro Di San Carlo), Alfred Pennyworth in Batman Live (Europe and South America), Jimmy Jack Cassie in Translations and Parchester in Me and My Girl (Sheffield’s Crucible Theatre), Rowley in The School For Scandal (Theatre Royal Bath), Merroman/Lane in The Importance of Being Earnest and Peter Shelley in Major Barbara (Manchester’s Royal Exchange Theatre), Peadar Cassidy in The Ha’penny Bridge (The Point Theatre, Dublin), Theodore Whitman in Follies (Toulon Opera, France) and Wilbur in Hairspray in Kuala Lumpur and Singapore).

Television Includes: The Crown, Gold Digger, Women on the Verge, Atlantis, Holby City, The Mrs Bradley Mysteries, The Ruth Rendell Mysteries, Omid Djalli Show.

John is a regular Guest Soloist with the RTE Concert Orchestra, and John has his own one man show Conroy Sings Coward.

Susan Fay

Theatre includes: The Last Ship (UK Tour, Toronto, LA and San Francisco), The Girls (UK Tour), The World Goes Round (Union Theatre), Saturday Night Fever (Royal Caribbean), Oliver (Drury Lane), Billy Elliott (Victoria Palace), My Fair Lady (Drury Lane), Les Miserable Concert (Scandinavian Tour), Paradise Moscow (Opera North – Leeds Grand Theatre), Half A Sixpence (West Yorkshire Playhouse), Spend, Spend, Spend (Plymouth, Piccadilly Theatre), Saturday Night Fever (London Palladium), Martin Guerre (Prince Edward), Buddy Holly Story (Strand / Novello Theatre), Les Miserable (Palace Theatre), Aspects of Love (UK Tour), Cabaret (Crucible Sheffield), Annie (Crucible Sheffield), Annie Get Your Gun (UK Tour), West Side Story (UK Tour), Camelot (Liverpool Playhouse), Me And My Girl (Adelphi Theatre).

Workshops include Mary Poppins and Bridget Jones.

Concerts include: My Fair Lady (Albert Hall), Les Miserable (10th & 25th Anniversary).

Film includes: Blitz (Working Title), Snow White (Disney), Wonka (Warner Bros), Mandalorian Series 3 (Disney),Guernsey Literary and Potato Peel Pie Society (Pathe Films), Florence Foster Jenkins (Pathe BBC Films), London Road (Cuba Pictures),

Jenny Fitzpatrick

Training: Mountview Academy of Performing Arts.

Theatre includes:  Ghost of Christmas Present in A Christmas Carol (The Old Vic); Fish/Sonny’s mum in Wonderboy (Bristol Old Vic); Justice in Rock of Ages (UK Tour); Tina Turner in Tina: The Tina Turner Musical (Aldwych Theatre); The World Goes Round (Barn Theatre); Lucius in BOUDICA(Shakespeare’s Globe); Muzzy Van Hossmere in Thoroughly Modern Millie (UK Tour); Dr. Lacey in A PACIFIST’S GUIDE TO THE WAR ON CANCER (National Theatre); Deloris Van Cartier in SISTER ACT(Aberystwyth Arts); Tina Turner in SOUL SISTER (UK Tour); Bluette in THE BLUES BROTHERS (UK & International tour); Angie in the OUR HOUSE Concert (Savoy Theatre); Louise in GHOST (Manchester Opera House/Piccadilly Theatre); ALADDIN (West Yorkshire Playhouse); Mimi in RENT Gala (Garrick Theatre); Rose seller in OLIVER! (Theatre Royal Drury Lane); Billie in OUR HOUSE (Birmingham Rep/UK Tour); Ronette in LITTLE SHOP OF HORRORS (Menier Chocolate Factory and Duke of York’s); Nala in THE LEGEND OF THE LION KING (Paris); Katisha in HOT MIKADO (Upstairs at the Gatehouse); and CAMELOT, A MIDSUMMER NIGHT’S DREAM andHENRY IV PART I (Regent’s Park).

Television includes: MARY POPPINS, CROSSWALK THE MUSICAL (CBS), MI HIGH (Kudos), EASTENDERS, SILENT WITNESS (BBC).

Natalie Kassanga

Natalie most recently played the role of Deena Jones in the UK tour of Dreamgirls. Before the pandemic, she understudied the roles of Alana Beck & Zoe Murphy at the Noël Coward Theatre in the Original Cast of Olivier award winning West End musical of Dear Evan Hansen. 

Prior to this, she took on the iconic leading role of Diana Ross in Berry Gordy’s, Motown The Musical at the Shaftesbury Theatre and was also the leading character of Moesha in the workshop of brand new dance musical CHASE, produced by Base Productions. Kassanga made her West End debut at 10 years old, as Young Nala in The Lion King at the Lyceum Theatre and was then an original young ensemble cast member of Cameron Mackintosh’s revival of Oliver! at the Theatre Royal, Drury Lane. 

Other credits include: Chitty Chitty Bang Bang (UK Tour), a “Popular” in Debbie Isitt’s workshop of new musical film ‘Prom Fever’ and Puccini’s opera of Tosca at the Royal & Derngate Northampton.

Emma Hatton

Emma’s soaring voice and transformative abilities have made her a unique West End star. She has played roles including Eva Peron in Evita, Elphaba in Wicked and Scaramouche in We Will Rock You. Her reputation as a Leading Lady has led to invitations to appear on This Morning – during which she both performed Defying Gravity and collected the Olivier Award on behalf of Wicked. On radio, Emma has been a guest artist on BBC Radio 4 Woman’s Hour, BBC Radio 2 Live and the Elaine Paige Show. This year, she had the honour of being chosen to perform as Eva Peron in the BBC documentary celebrating 40 years of Evita. 

She works regularly as a presenter on both radio and TV for Magic FM on their ‘Magic at the Musicals’ channel and as a sports host and presenter for Swim England (BBC). She is a proud Ambassador for leading music therapy charity Nordoff Robbins and she has also recently launched her own podcast ‘Dear Music…’ which explores our collective love affair with music whilst raising awareness of the many varied music charities in the UK.

Sebastien Torkia

Sebastien’s theatre credits include A Christmas Carol (Old Vic Theatre), Mr Wormwood in RSC’s Matilda the musical (west end), Alberto Beddini in Top Hat (National Tour), Al Wheeler in The Stripper (west end Offie Nomination, The Other Palace), Peter And The Starcatcher (Royal Theatre, Northampton) The Wild Party (The Other Palace), Travels With My Aunt (Minerva, Chichester), Pirelli in Sweeney Todd (Leeds Playhouse/Royal Exchange, Manchester), The Lion King (West End), A Streetcar Named Desire (Bolton Octogan), Women Beware Women (National Theatre), La Cage Aux Folles (West End/Menier Chocolate Factory), Guys And Dolls (Piccadilly Theatre), Tony Manero in Saturday Night Fever (West End, Germany, Italy), Benoit in Martin Guerre (West End), Grease (West End), Eddie Ryan in Funny Girl (Minerva,Chichester), A Chorus Line (Sheffield Crucible), The Lion, The Witch and The Wardrobe ( Leeds Playhouse), Singin’ In The Rain (National Tour). Television credits include, Mammals (Amazon Prime), The Boleyns (BBC), Victoria Wood’s That Day We Sang, Coronation Street, Babes In The Wood. Film credits include, Aladdin (Disney), Mamma Mia: Here We Go Again, Mamma Mia, The Clan, The Phantom Of The Opera, Joseph And The Amazing Technicolour Dreamcoat. Radio work includes Leaving Normal (BBC 4).

Sally Ann Triplett

UK Theatre Credits include: Fraulein Schneider in Cabaret (Lido 2 Paris); Mrs Wilkinson in Billy Elliot (Curve Theatre); Josie in Taboo (London Palladium); Rose in Gypsy (Alexandra Palace); Martha in White Christmas (UK Tour); Toine in Piaf (Nottingham Playhouse/Leeds Playhouse). Reno Sweeney in Anything Goes (National Theatre & Theatre Royal Drury Lane – Whatsonstage Award winner); Miss Adelaide in Guys and Dolls (Piccadilly Theatre); Roxie Hart in Chicago (Adelphi Theatre); Miss Berta in Acorn Antiques (Theatre Royal Haymarket); Donna Sheridan in Mamma Mia (Prince of Wales Theatre); Grizabella in Cats (New London Theatre); Rizzo in Grease (Dominion Theatre); Ruby Keeler in Jolson (Victoria Palace & Toronto);; Young Phyllis in Follies (Shaftesbury Theatre); Chess (Original Cast, Prince Edward Theatre); Billie Dore in A Damsel in Distress (Chichester Festival Theatre); Judy/Liza in My Judy Garland Life (Nottingham Playhouse, UK Theatre Award Nomination); Diana in Next to Normal (Drama Centre Theatre, Singapore); Sue Snell in Carrie (OriginalCast, RSC); Beatrice in Much Ado About Nothing (Liverpool Playhouse Theatre); Marge in Absent Friends (The Palace Theatre).

US Theatre Credits include: Kath Starr in Becoming Nancy (Alliance Theatre, Atlanta); Sue Snell in Carrie (NY, Original Cast); Peggy White in The Last Ship (Neil Simon Theatre NY/ Bank of America Theatre Chicago); Madame De Maurier in Finding Neverland (Lunt Fontanne Theatre, NY); Mrs. Lovett in Sweeney Todd (Barrow Street Theatre, Off Broadway); Mrs. Mister in The Cradle Will Rock (Classic Stage Company, NY); Catherine in Must (Theatre at St. Clement’s);

Television Credits include: Eastenders; Doctors; The Bill; Down to Earth

Gavin Wilkinson

Gavin trained at Mountview. West End theatre includes original casts of The Lord of the Rings and Our House, Mamma Mia!, West Side Story, Inner Sanctum (Pet Shop Boys/Royal Opera House), The Adventures of Tom Sawyer and Let Him Have Justice (co-writer). Other theatre includes Guys and Dolls (Paris), The Beggar’s Opera (International tour), West Side Story (UK tour), The Wind in the Willows (Sevenoaks Playhouse), Beauty and the Beast (Theatre Royal Lincoln). TV and film credits include Smart Alek (BFI/C4), Grange Hill (BBC), Call the Midwife (BBC), Our House (BBC3), Pet Shop Boys (Hyde Park/BBC), The Phantom of the Opera, Paddington 2 and the upcoming live action remake of Snow White (Disney).

Matthew Woodyatt

Theatre includes Half A Sixpence (Kilworth House Theatre); Piaf (Nottingham Playhouse and Leeds Playhouse); The Light in the Piazza (Royal Festival Hall, LA Opera & Lyric Opera Chicago), Doctor Zhivago (Cadogan Hall), The Assassination of Katie Hopkins (Theatr Clwyd), The Invisible Man (Queens Theatre Hornchurch), Fiddler On The Roof (Chichester Festival Theatre), Moving Stories, Much Ado About Nothing and the original cast of War Horse (National Theatre); One Man, Two Guv’nors (Theatre Royal Haymarket, UK and International tour); Allegro and A Christmas Carol (Southwark Playhouse); The Lion, The Witch and The Wardrobe (Sherman Cymru); A Midsummer Night’s Dream (Arts Theatre); Love Story and James and the Giant Peach (Octagon Theatre, Bolton); Silly Kings and The Passion (National Theatre Wales); The Importance of Being Earnest (New Wolsey Theatre); The Odyssey and Alice Through the Looking Glass (London Bubble); The Erpingham Camp (Hydrocracker & Brighton Festival); Privates on Parade (West Yorkshire Playhouse & Birmingham Rep); Hamlet (Stafford Festival); Animal Farm and The Nutcracker (Theatre Royal Bath); The Jungle Book and Arabian Nights (Watermill Theatre); Mack & Mabel (Criterion Theatre, UK tour and Watermill Theatre).

Television includes Grandpa in My Pocket, The Passion – It Has Begun, Arrows of Desire.

Films include A Serial Killer’s Guide to Life, The Gospel of Us.

Ricky Simmonds

Ricky Simmonds is a British songwriter, composer and electronic music recording artist.  Simmonds began his career as a teen actor, playing Ant Jones in the BBC television series  Grange Hill.  

He achieved popularity in the late 90s and early 2000s as one half of the trance music act  The Space Brothers. Releasing music under several aliases, Simmonds has charted in the  UK top 40 with thirteen singles, and had songs featured on compilations with sales in excess of 18 million albums. 

In the late 2010s, Simmonds launched Wishful Thinking Musicals with former Grange  Hill co-star, Simon Vaughan, writing and developing a slate of original musicals. 

At the age of seven, he made his stage debut in a Central School Of Speech And Drama  production of The Duchess Of Malfi at the Embassy Theatre. 

Simmonds began his professional acting career with the lead role in the 1984 British film  Pop Pirates starring alongside Roger Daltrey as lead singer Michael Carpenter. The  following year, he appeared at Leatherhead’s Thorndike Theatre in a stage adaptation of  the 1981 film On Golden Pond, playing the role of Billy Ray. He went on to understudy  the titular role in the 1985 stage musical adaptation of Sue Townsend’s novel The Secret  Diary Of Adrian Mole at London’s Wyndham’s Theatre. Six months later, Simmonds  successfully auditioned for the long-running BBC series Grange Hill, appearing in its  ninth and tenth series as Ant Jones.

In 1988, he played the titular role in Dick Whittington at the Gordon Craig Theatre in  Stevenage and the following year appeared in the BBC sitcom Joint Account with Hannah  Gordon and Peter Egan. 

In his early twenties, Simmonds left acting to pursue a career in music, first joining the  rock band Protocol, formed by elder brother Danny. With Protocol keyboard player Steve  Jones, he formed The Space Brothers, charting in the UK top 30 with their first four  singles. The duo created several other successful projects in the formative years of the  British dance music explosion, including Lustral, Chakra, Ascension and Oxygen.

Simon Vaughan

Simon is the co-creator and lyricist of Berlusconi, which is the first musical to be produced  as part of his writing partnership with his lifelong friend Ricky Simmonds. He is best  known for his work producing British television drama. 

Simon began his theatre career as a child actor at the age of ten, when he played Macduff’s  son in Macbeth at the Thorndike Theatre in Leatherhead. He later played Peter in the  original stage production of The Railway Children at The Crucible Theatre, Sheffield. As  a busy child actor, he attended Italia Conti stage school whilst performing in a number of  TV and stage productions, including playing Freddie Mainwaring in forty-four episodes  of BBC’s Grange Hill (where me met Ricky Simmonds).

At seventeen, he started his first production company Wishful Thinking Productions and  has been telling stories for a living ever since. Notable television productions over the  years have included the acclaimed Andrew Davies adaptations of Les Misérables and War  & Peace for the BBC and Tom Stoppard’s BAFTA-winning mini series Parade’s End for  HBO and BBC starring Benedict Cumberbatch and Rebecca Hall. Simon also originated  and Executive Produced the much loved crime drama Ripper Street, which starred  Matthew Macfadyen and ran for five seasons on BBC and Amazon. 

Together with his wife Justine Vaughan, he founded drama production company Lookout  Point. After running the company for ten years, he stepped down in 2019. The company  continues to thrive as part of the BBC Studios drama portfolio, producing series including  Gentleman Jack, Happy Valley, Last Tango in Halifax and A Suitable Boy which was 

adapted by Andrew Davies from Vikram Seth’s novel. 

Simon’s first feature film as a writer Goodbye Christopher Robin, starring Margot Robbie  and Domhnall Gleason, was released by Fox Searchlight in 2017. 

Alongside his musical theatre work, Simon is now the co-chairman of The Story Collective,  a US backed studio business focused on investing in UK scripted production companies  and producing television drama. The company is currently partnered with Stephen  Graham on the upcoming period boxing series A Thousand Blows written by Steve Knight  for Disney+. 

Writing musicals for the theatre fulfils a lifelong ambition for Simon, based on his love of  musical theatre and the joy of getting to work on stories and songs for hours on end with  his best friend.

Rebecca Howell

Current and forthcoming work includes: Moulin Rouge (Broadway/West End – Associate  Choreographer); Aida (Royal Opera House); Lady in the Dark (Opera Zuid). 

Theatre credits include: Cabaret (Goteborgs Operan); The Louder We Get (Theatre  Calgary, Canada); The Secret Diary of Adrian Mole Aged 13 ¾ (West End, Menier  Chocolate Factory); The Man of La Mancha (ENO, London Coliseum); The Wizard of Oz  (Pitlochry Festival Theatre); Ruthless (West End); Barnum; She Loves Me (Menier  Chocolate Factory); City of Angels (Royal Conservatoire Scotland); Mamma Mia!  (Municipal Theatre, Cyprus); The Country Girls (Chichester Festival Theatre); Spamalot;  The Glass Menagerie (English Theatre Frankfurt); The Life of The Party (TheatreWorks,  San Francisco); The Great American Trailer Park Musical (Waterloo East Theatre);  Tommy: The Rock Opera (Blackpool Opera House); Blockbuster (UK Tour); The Taming  of the Shrew; As You Like It (Guildford Shakespeare Company); Jest End (Jermyn Street,  Players Theatre, Leicester Square Theatre). 

Opera Credits include: Il Trionfo del Tempo e del Disinganno (Salzburg Festival); Giulio  Cesare (Teatro alla Scala); Die Tote Stadt (Komische Oper Berlin); The Beggars Opera (Théâtre des Bouffes du Nord, Paris & Tour); Falstaff (Royal Opera House) 

As Associate Choreographer Theatre credits include: American Psycho (Almeida Theatre  & Broadway); Funny Girl (West End & UK Tour); My Fair Lady (Chicago Lyric Opera, St  Petersberg & Théâtre du Châtelet); A Little Night Music; Little Shop of Horrors (Menier  Chocolate Factory & West End); Oh! What A Lovely War (Theatre Royal, Stratford East);  Viva Forever (West End); We Will Rock You (Netherlands); Billy Elliot (Tap Tutor, West  End); La Cage Aux Folles (Menier Chocolate Factory, West End, Broadway – Tap  Consultant). 

Film, Music & Commercial credits include: The Crown Season 4 (Left Bank) 

As Associate: Burberry Festive Event & Burberry Shanghai Event (2014); Pet Shop Boys:  Inner Sanctum Tour (2018); Pet Shop Boys: Electric Tour (2013); Pet Shop Boys:  Pandemonium Tour (2010); Pet Shop Boys: Brit Awards 2009; Ellie Goulding: Starry Eyed  (music video); Duffy: Well Well Well (music video); Fred Claus (Warner Bros). 

Rebecca trained at the London Studio Centre. 

Lucy Oborne

Lucy is a scenic and costume designer whose work is regularly seen in major venues in  London, New York and across the UK. Her work reaches extensively across disciplines  with a focus on new work, installation design and theatre architecture. 

Notable designs include the UK premieres of award-winning new musicals Fisherman’s  Friends The Musical (UK Tour/Canada); The Osmonds (UK Tour); The Famous Five: A  New Musical (Theatr Clwyd/Chichester Festival Theatre) and The Assassination of Katie  Hopkins (Theatr Clwyd). 

Other recent credits include: Cabaret (Gothenburg Opera); The Famous Five: A New  Musical (Theatr Clwyd/Chichester Festival Theatre);; Afterplay (Coronet Theatre); God’s  Dice (Soho Theatre); Rich Kids (Traverse/UK Tour); Rutherford and Son, One Flew Over  the Cuckoos Nest (Sheffield Crucible); Les Misérables (Wermland Opera); Uncle Vanya  (Theatr Clwyd/Sheffield Theatres); Privacy (& Public Theatre, New York); Coriolanus  (Donmar Warehouse); A Pacifists Guide to War on Cancer (National Thatre & Complicité)  which toured the UK and Australia.

Lucy is a co-designer of Roundabout, the world’s first flat-pack theatre and winner of The  Stage Award’s ‘Theatre Building of the Year’. Lucy’s company studio three sixty advocate  for resilient, inclusive and inspirational theatre buildings through a combination of design  and consultancy. 

Lucy is a Trustee of the Theatres Trust and Fellow of the Royal Society of Arts. She is a  member of the Editorial Board for the International Theatre Engineering and  Architecture Conference (2019 and 2023). 

She was chosen as one of a handful of designers to represent Great Britain at the Prague  Quadrennial of Theatre Design 2019 with her design for The Assassination of Katie  Hopkins. 

Dan Samson

Sound Design includes: The Famous Five(Theatr Clwyd and Chichester Festival  Theatre), Fisherman’s Friends The Musical (Hall for Cornwall, UK Tour and Canada),  Passion (Hope Mill Theatre), The Cher Show(UK Tour), The Osmonds (UK Tour), Heathers (Theatre Royal Haymarket, UK Tour, and The Other Palace), Love  Letters (Theatre Royal Haymarket), Berlin Berlin (German Tour), Saturday Night  Fever (UK Tour), Cilla The Musical (UK Tour), Ghost (UK Tour, International Tour,  Paris Mogador and Moscow MDM) Rain Man (UK Tour), Rough Crossing(UK Tour),  Cabaret (UK Tour), La Cage aux Folles (UK Tour), Evita (Dominion, Phoenix, UK and  International Tour), Hi Fidelity The Musical (Turbine Theatre), Eugenius (The Other  Palace), This is Elvis (UK Tour), How the Other Half Loves (Theatre Royal Haymarket,  Duke of York’s and UK Tour), Save The Last Dance For Me (UK Tour), Dreamboats and  Petticoats (UK Tour), The Cat and Canary (UK Tour), The Lady Vanishes (UK Tour),  The Case of The Frightened Lady (UK Tour), The Outsider (3 Pin Productions Ltd,  Cunard), Echoes in The Night (3 Pin Productions Ltd, P&O), A Judgement in Stone (UK  Tour), Sideshow (Southwark Playhouse), The War of the Worlds(Dominion), Rehearsal  For Murder (UK Tour), Sinatra On Stage (The London Palladium), The Glenn Miller  Story (London Coliseum and UK Tour), The Sound of Music (UK Tour), Jesus Christ  Superstar (UK Tour), 12 Angry Men (UK Tour), Blood Brothers (UK Tour), Joseph and  the Amazing Technicolor Dreamcoat (Newcastle Arena and UK Tour), Dreamboats and  Miniskirts (UK Tour), Ain’t Misbehavin’ (Colchester Mercury and Southwark  Playhouse), Carrie (Southwark Playhouse), The Buddy Holly Story(Theatre Royal  Windsor), Brief Encounter (Theatre Royal, Windsor), Mystery On Air (Theatre Royal,  Windsor), Fame (UK Tour), The Shawshank Redemption (UK Tour), All Creatures  Great and Small (UK Tour), The Small Hand (UK Tour), and Before The Party (UK Tour). 

Jordan Li Smith

Based in London and West Berkshire, Jordan is a writer & composer, as well as an award-winning musical director. In August 2023, he’ll be making his debut as a writer  and composer with his new musical, The Boy Who Sailed the Ocean in an Armchair,  based on the novel by Lara Williamson. 

He received critical acclaim for his musical direction of the actor-musician revival of  Ragtime in 2016, which earned him his first Off West End Award for Best Musical  Direction. Since then, Jordan has gone on to win another Offie award and a  BroadwayWorld UK Award, as well as being at the musical forefront of many significant  UK and world premieres. He made his West End conducting debut in 2020, conducting  the Donmar Warehouse revival of City of Angels at the Garrick. 

Training: Royal Academy of Music (PGDipRAM), Sir Elton John Scholarship & Help  Musicians UK. Associate of the London College of Music (ALCM in Piano Performance).  Alumni of the National Youth Music Theatre and The Hammond. 

As writer/composer: The Boy Who Sailed the Ocean in an Armchair (world premiere in  2023 with National Youth Music Theatre); Jordan’s song Better Day was featured as  part of On Hope: A Digital Song Cycle. It was subsequently chosen as a winner of The  Drama League’s Anthems for the Future of Theater competition, and was performed by Broadway star Bonnie Milligan in Light the Lights! A Drama League Celebration in  New York, in honour of Broadway actor, Wayne Brady. 

As musical supervisor: The Lion (Southwark Playhouse); the original London cast  recording of Queen of the Mist ( Jack Studio Theatre, transfer to Charing Cross – Musical Supervisor & Conductor). 

As musical director: City of Angels (Garrick, Assistant Musical Director); the UK  première of Michael John LaChuisa’s Queen Of The Mist ( Jack Studio Theatre, transfer  to Charing Cross – winner, Off West End Award for Best Musical Director); Ragtime  (Charing Cross – winner, Off West End Award for Best Musical Direction & Best  Musical Production); Merrily We Roll Along (Royal Conservatoire of Scotland); A Little Night Music (Mountview); The Hunchback of Notre Dame (Manchester Cathedral,  NYMT); Les Misérables (Mountview, non-replica UK première); Chess (Leicester Curve,  NYMT); the UK première of Amour (Charing Cross – nominated, Off West End Award  for Best Musical Director); the UK première of Dave Malloy’s Preludes (Southwark  Playhouse & livestream); Starry (industry workshop); One Man, Two Guvnors (Octagon  Theatre, Liverpool Playhouse, Theatre By The Lake); the world première of The  Assassination Of Katie Hopkins (Theatr Clwyd – winner, BroadwayWorld UK Award for  Best Musical Direction); the UK première of The Bubbly Black Girl Sheds Her  Chameleon Skin (Theatre Royal, Stratford East); Our Man From Havana (industry  workshop); Anything Goes (Other Palace); Gentlemen Prefer Blondes (ArtsEd); Through  The Mill (Southwark Playhouse); Amour (Royal Academy Of Music – nominated,  BroadwayWorld Award for Best Fringe/Regional Musical Direction); Guest Conductor of  the London Musical Theatre Orchestra; Next To Normal (Royal Academy Of Music);  Sweet Charity (Urdang Academy); The 25th Annual Putnam County Spelling Bee  (Guildford School Of Acting); The Addams Family (Chichester University); Spring  Awakening (Stockwell Playhouse); Bring It On (Bird College); Grand Hotel, Once On  This Island (Momentum Performing Arts Academy, UK & Malta Tour); Curtain Up!  Royal Academy of Music Musical Theatre 20th Anniversary Concert (Prince Edward,  Assistant Musical Director); Musical Theatre Industry Showcase, Royal Academy of  Music (Sir Jack Lyons Theatre, Assistant Musical Director). 

As orchestrator/arranger: Amour; Gentlemen Prefer Blondes; The Bubbly Black Girl  Sheds Her Chameleon Skin; Sweet Charity; Curtain Up! Royal Academy of Music  Musical Theatre 20th Anniversary Concert (co-orchestrator); Musical Theatre Industry  Showcase, Royal Academy of Music (co-orchestrator). Co-orchestrator for the London  Musical Theatre Orchestra. 

Film: Rocketman (Children’s Casting MD/Featured Cameo) 

Recordings: Original London cast recording of Queen of the Mist (Musical Supervisor/  Conductor); “Make Them Hear You” Charity video for StopWatch (Musical Director).  Jordan made his cabaret debut as part of the My Myra Series at Bishopsgate Institute,  with his cabaret My Myra: Songs I Wish I Had Written. Twitter & Instagram:  @jordanli_smith. 

Francesca Moody

Francesca Moody Productions commissions, develops and presents brave, entertaining  and compelling new theatre. They work with the UK’s leading playwrights and discover  and nurture new talent to produce bold, award-winning shows with universal appeal and  commercial potential.  

Since launching in 2018 the company has been awarded an Olivier, four Scotsman Fringe  First’s and produced nine world-premieres across the West-End, London, New York,  nationally on tour and at the Edinburgh Festival. FMP’s production of Richard Gadd’s  BABY REINDEER was the Bush Theatre’s fastest selling show in history and is now in  production as a Netflix TV series. Upcoming productions include Lemons Lemons Lemons  Lemons Lemons at the Harold Pinter Theatre and Grim Brenda at the Orange Tree  Theatre and Berlusconi at the Southwark Playhouse.  

FMP are also the creators of SHEDINBURGH FRINGE FESTIVAL an online live streamed festival of theatre, comedy and music created in lieu of the Edinburgh Fringe in  2020. Since its launch the festival has raised over £40,000 towards a fund to support the  next generation of artists to make it to the Fringe.  

FMP is led by Francesca Moody MBE who is best known as the original producer of the  multi-award-winning FLEABAG by Phoebe Waller-Bridge, which she has produced  globally on behalf on DryWrite, most recently at the Wyndhams Theatre, when it was also  recorded and broadcast by NT Live, playing in cinemas throughout the world. In 2020  Francesca led and coordinated the Fleabag for Charity for campaign and later the Theatre  Community Fund with Phoebe Waller-Bridge and Olivia Colman, raising over £2million to support theatrical artists and professionals whose livelihoods and creative futures have  been threatened in the wake of Covid-19. 

www.francescamoody.com