Francesca Moody MBE is an Olivier award-winning Theatre Producer. She is best known as the original producer of the multi-award winning, Fleabag by Phoebe Waller-Bridge and Baby Reindeer by Richard Gadd.
In 2020, with Phoebe Waller-Bridge, Francesca led and coordinated the Fleabag for Charity campaign, streaming Fleabag NT Live on Amazon and Soho Theatre on Demand, raising over £1,000,000 for charities supporting those affected by the Covid-19 pandemic. With Phoebe Waller-Bridge and Olivia Colman, Francesca later established the Theatre Community Fund, raising a further £1,000,000 to support theatrical artists and professionals whose livelihoods and creative futures have been threatened in the wake of Covid-19.
Francesca is also the former Producer of British new writing theatre company Paines Plough, where she produced and developed plays by leading UK playwrights including Dennis Kelly, Duncan Macmillan, James Graham and Kae Tempest. She was also the Executive Producer at curious directive.
Francesca has received an Olivier Award, ten Fringe First Awards and three Off West End Awards for her productions. She is interim Co-Chair of the Board of Trustees for Theatre Royal Stratford East, a Trustee of the Royal Theatrical Fund and an Honorary Associate of the Royal Welsh College of Music and Drama. In 2022 she was awarded an MBE for services to Charitable Fundraising for the Arts in the Queen’s Platinum Jubilee Honours.
Formerly Producer at the Young Vic, Christabel is a theatre producer working across both subsidised and commercial sectors with a focus on new writing and talent development.
Prior to the YV she spent three years at Paines Plough where she oversaw the organisation’s resident writer programme, commissioned over 100 writers for the small and mid scale and cultivated a multi-year touring partnership with over 30 nationwide arts venues in areas of least cultural engagement.
She has produced new work at a multitude of venues across the UK including Soho Theatre, Bush
Theatre, The Lowry, Bristol Old Vic, Theatre Royal Plymouth, Theatr Clwyd and extensively at Edinburgh Festival.
Christabel has worked as part of the producing teams at Playful Productions, Fiery Angel and Seabright Productions across numerous large-scale plays and musicals in the West End, and is a previous recipient of the Stage One Trainee Producer scheme.
Beyond the stage she has been a script reader for Dancing Ledge, Drama Republic and Hummingbird Films.
Grace is a Newcastle-born producer and general manager with a keen eye for powerful new writing. She runs Grace Dickson Productions, whose work includes the smash-hit Playfight (Soho Theatre, Bristol Old Vic, Roundabout), Lady Dealer (Roundabout, Bush Theatre), The Long Run (New Diorama, Edinburgh Fringe, UK Tour), SPLINTERED (Soho Theatre), Project Dictator (New Diorama), Move Fast and Break Things (Summerhall, Edinburgh Fringe), BOGEYMAN (Pleasance, Edinburgh Fringe), Whodunnit [Unrehearsed] (Park Theatre), Flushed (Park Theatre), and Belly Up (Turbine Theatre). Grace’s producing work has been supported by a Stage One Bursary for New Producers and an Arts Council DYCP.
Credits as Associate Producer for FMP include Tim Crouch’s An Oak Tree, Feeling Afraid As If Something Terrible Is Going To Happen, I’m Almost There, VL and Weather Girl.
Grace is co-founder of HD General Management with Ameena Hamid, who provide bespoke wellbeing-focused GM support to productions and workshops. Credits include Reading Rep Theatre, The Jingleclaw, DIVA: Live From Hell, and The Solve It Squad.
Grace is also Finance Manager at Runaway Entertainment (The Hunger Games, A Knight’s Tale, 2:22 A Ghost Story, 101 Dalmatians, Newsies) and is a trustee of theatre charity ZooCo.
Before joining the team, Tom worked as Touring Coordinator in the National Partnerships team at the National Theatre, coordinating their nationwide secondary schools tour, and as Public Acts Coordinator during the development of Public Record, a large-scale co-created production made with communities in Sunderland.
He was previously Company Coordinator at Punchdrunk Enrichment, supporting company operations and working across a programme of schools, families and community projects including The Lost Lending Library, Brent Young Makers, and Enitan’s Game.
Tom has also worked with Frantic Assembly, Nigel Barrett & Louise Mari, Voicebox, and the New Wolsey Theatre. He studied Drama, Applied Theatre & Education at The Royal Central School of Speech and Drama, and is passionate about bold, accessible performance made in collaboration with artists and communities.
Angel started her career as a Production Intern at Sonia Friedman Productions (SFP), where she gained first-hand experience of working in a fast-paced, large scale production company. She worked on various shows including Harry Potter and the Cursed Child and Stranger Things: The First Shadow.
After SFP, Angel joined PW Productions as a Freelance Production Assistant coordinating the West End transfer of Studio Ghibli’s Spirited Away from Japan. Where she organised its double press performances and assisted with the temporary relocation of over 100 Japanese cast, creatives, and personnel.
Prior to her work in theatre, Angel studied Film Industries and Creative Writing at The University of Portsmouth where she produced several short films. She also has a background working as a Stage Door Keeper for The Bridge Theatre.
Prior to working at FMP, Darcy was Associate Producer at DEM Productions and has worked in-house at Jermyn Street Theatre and Theatre503.
Alongside these roles, she has produced independently. Productions as Producer include: Til Death Do Us Part by Safaa Benson-Effiom (Theatre503, ‘Best Production’ London Pub Theatre Awards); Notes On Love And Being Alone with Lesley Manville, Alison Steadman and Sophie Thompson (Crazy Coqs). Productions as Associate Producer: A Sherlock Carol (Marylebone Theatre), Vardy Vs Rooney: the Wagatha Christie Trial (West End & UK Tour).
Jon is a double Olivier Award-winning writer and director.
Theatre credits include Rotterdam; Kathy and Stella Solve A Murder!; A Super Happy Story (About Feeling Super Sad); and Margaret Thatcher Queen of Soho.
Directing credits include shows for Tom Allen, John Kearns, Janine Harouni, Tom Rosenthal and the original stage production of Richard Gadd’s Baby Reindeer.
TV credits include The Amazing World of Gumball; The Crown; and The Completely Made Up Adventures of Dick Turpin.
Jack runs a production management company (JBPM), working across theatre, opera, dance, musicals and events. He has worked on national and international touring productions, West End musicals and immersive / site specific theatre. Alongside a range of productions with FMP, JBPM have production managed a variety of projects.
Recent and current credits include The Choir Of Man (West End, European and International Touring); Bluey’s Big Play (European and International Touring); Head Of Production @ Waterperry Opera Festival, Pied Piper (National Touring); The Ancient Oak Of Baldor (National Touring); A Very Naughty Christmas (Southwark Playhouse, Elephant); The Show On The Roof (Kings Head Theatre); Wilko (Queen’s Theatre Hornchurch); Lay Down Your Burdens (Barbican and National Touring); Lavender, Hyacinth, Violet, Yew (Bush Theatre); Lost Lending Library and A Curious Quest (Punchdrunk); Maddie Moate’s Very Curious Christmas (Apollo Theatre); The Borrowers (Theatre By The Lake); An Improbable Musical (National Touring); Habibti Driver (Octagon Theatre); Saving Face (Curve and National Touring); LAVA (Soho Theatre and National Touring); and the Annual Fundraising Gala for the National Youth Theatre.
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